My Photography Gear
TODO: Double-check the product codes
Actively-Used Gear
Bodies:
- Sony α7C II
Lenses:
- Compact primes:
- Sony FE 24mm F2.8 G (SEL24F28G)
- Sony FE 40mm F2.5 G (SEL40F25G)
- Sony FE 50mm F2.5 G (SEL50F25G)
- Large Primes:
- Sony FE 50mm F1.4 GM (SEL50F14GM)
- Sony FE 85mm F1.8 (SEL85F18)
- Large Zooms:
- Sony FE 16-35mm F2.8 GM II (SEL1635GM2)
- Sony FE 24-70mm F2.8 GM II (SEL2470GM2)
- Macro:
- Sigma 105mm f/2.8 DG DN Macro Art Lens for Sony-E Mount (4260965)
- (I don’t see any product identifiers on the lens itself. I’ll probably need to look in the box.)
- Sigma 105mm f/2.8 DG DN Macro Art Lens for Sony-E Mount (4260965)
I also have various other items but I won’t list them out here.
Unused Gear
Bodies:
- Nikon D5200 + Kit Lens
Lenses:
- Sony FE 28-60mm F4-5.6 (SEL2860)
- Sony FE 50mm F1.8 (SEL50F18F)
- (I’ve put this lens away in cold storage so I’ll need to bring it out to confirm the model.)
Nikon D5200 + Kit Lens
My first nice camera! It was released around December 2012, and my parents probably got me this camera in early-mid 2013, which allowed me to use it during the middle of 2013 for some special events, and later in the year for an overseas trip.
The vast majority of its use was 2013 where between me and my parents, we shot thousands (maybe tens of thousands?) of photos, and again in 2022 where I used it for photographing my hobbies (the photos look so much better than a smartphone!) and I briefly used it for various day-to-day photography. The camera also saw occasional use in the years in-between.
My D5200 taught me about the exposure triangle back in 2013. I experimented with tweaking each parameter, intentionally setting the shutter speed higher if I need to freeze the action, stopping up to increase depth of field, or using the tripod and slowing the shutter speed to get cleaner pictures of things in dim indoor lighting.
I wish I got a nicer lens with this. I actually never realized how soft this lens looks until I got my second camera, the Sony α7C II with the Sony FE 28-60mm F4-5.6 kit lens. Even the Sony kit lens is leagues better than the D5200’s kit lens. It’s terribly soft!
I’m not too sure what I want to do with this camera now. I don’t want to use it with the kit lens. I’m thinking of finding a 23mm (35mm ff equivalent) compact prime for it, but practically speaking, there isn’t much of a point since I already have a significantly better camera, and I’m not too interested in using it for artistic or nostalgic purposes.
I think I’ll keep this camera in my collection. It seems like I could sell it for some $200-400, but to me, that’s not a high enough price to be worth selling.
Sony FE 28-60mm F4-5.6 (SEL2860)
My first lens on the Sony! Looking at it even when I own some spectacular lenses like my GM lenses, I still think this is an amazing lens! It’s incredibly compact, 28-60mm gets you a lot of shots, and I find this lens super-sharp!
I would’ve wanted it to go to at least 24mm, even if the lens becomes 24-50mm. 24mm is one of my favourite focal lengths for wide photos that show off my environment. A super-compact 24-50mm would be perfect for me! The FE 24-50mm F2.8 G is the closest to what I want, but it’s too big a lens for me.
But honestly, 28-60mm is a great range anyway if it’s what’s available. As much as I love 24mm, I’d still be shooting a lot in 28mm and 35mm anyway. Focal length isn’t really the reason I don’t use this lens anymore.
My reasons for not using it are:
- slow aperture, and
- no lens hood.
The lens hood problem might be solved by finding a screw-on lens hood or something like that. I want a lens hood for everyday carry since it physically protects the lens from accidentally being touched and putting fingerprint dirt on the glass, or accidentally knocking the glass on something whenever I try to maneuver the camera through obstacles.
But even if it had a lens hood, the slow aperture still kills the lens for me. Granted, it’s “only” one stop of light at the wide end (I probably wouldn’t mind only shooting wide at night anyway), but I’m a bit of an image quality snob. I want cleaner images!
This lens has been replaced by:
- all my compact primes (such as the Sony FE 24mm F2.8 G (SEL24F28G)) for situations where I want something compact such as everyday carry or for street or casual food photography, and
- my Sony FE 24-70mm F2.8 GM II (SEL2470GM2) replaces it for situations where I don’t mind carrying a clunkier lens.
I still keep this lens in reserve anyway for times where I need a compact zoom, just that such situations are probably very unlikely. Maybe I’ll use it for travel? Maybe I could use this kit lens when there’s good light, then I break out the compact primes when it’s dark. I don’t know yet.
As a bonus, the aperture goes up to f/32, which (as far as I recall) is the smallest aperture of all my lenses, so I actually still use this lens for checking how much dust is on my camera sensor.
I don’t mind keeping this in my collection. I got it for about $200 AUD, so I doubt it’ll sell for much anyway.
I really love the concept of this lens though and I hope Sony continues to design and manufacture things like this. Is a hooded f/2.8 ultra-compact zoom even possible? Because I’d love to see one come out, and if it doesn’t come with image quality compromises, I’d totally buy one and use it as my new everyday carry lens!
Sony FE 50mm F1.8 (SEL50F18F)
Your first lens is usually a kit zoom lens, which is basically always small-aperture, and the image quality is often quite poor. Or if you’re lucky, your first lens might’ve been an f/2.8 normal zoom with great image quality.
The Sony FE 50mm F1.8 is the nifty fifty for Sony full-frame. Nifty fifty refers to cheap and compact 50mm f/1.8 lenses and are a great “second lens” that newcomers into the hobby often buy after that first lens. They’re highly recommended to beginners on the internet, and I believe it’s justified because it’s a low-cost way to experience something entirely different to what a newcomer is used to. (I bought mine brand new for a little more than $200 AUD.)
Compared to a kit zoom lens,
- A nifty fifty has a large, desirable aperture size. This is probably the main reason for nifty fifties being a great second lens. It’s hard to appreciate what a wide aperture can do if your entire photography experience is smartphones and small-aperture kit zoom lenses. With a nifty fifty, a beginner photographer can now experiment with large apertures to get real optical bokeh (rather than the awkward fake bokeh generated by smartphone computational photography) or for low-light photography.
- A nifty fifty is quite a tight prime lens, which challenges a beginner photographer if they’re used to always shooting wide. Smartphones are usually 24mm ff equivalent, and kit zoom lenses tempt beginners to just shoot wide rather than thinking about how to utilize compression. Prime lenses also promote familiarity with the particular focal length, giving you practice in seeing the world with that particular field of view and being more deliberate about your compositions. And if you choose to bring the lens out for photography walks, primes are an exercise in limiting your options, allowing you to focus more on getting great shots with the focal length you have right now.
- If your kit zoom is quite bulky, experiencing a more compact lens like a nifty fifty can be great in general. I find that I use my cheap compact lenses loads more than my large expensive lenses because they’re a lot easier to carry and handle, and I don’t feel like I stand out as much.
- Kit zooms can also be quite compact though. My Sony FE 28-60mm F4-5.6 is quite a lot more compact than my Sony FE 50mm F1.8!
- The nifty fifty might sometimes have better image quality than a kit zoom, but that isn’t always true. I feel like my kit zoom Sony FE 28-60mm F4-5.6 is actually really good, and I can’t really tell it apart from the Sony FE 50mm F1.8 in terms of image quality.
These advantages of a nifty fifty might be a little diminished if you got something like a great-quality f/2.8 zoom lens, but you can probably still get value out of the wider f/1.8 aperture anyway.
Anyways, all that to say, the Sony FE 50mm F1.8 is the second lens I bought (after the Sony FE 28-60mm F4-5.6 kit zoom), but I’ve since outgrown it. It was a great starter lens for the reasons I stated above. When I first got it, I got pretty obsessed with taking photos of everything around the house to experiment with bokeh, I took it out a lot, did a bunch of portraits for friends, and I especially got a lot of use out of it in low-light. But I primarily stopped using it because the autofocus is slow and loud, which made the lens not-fun.
I’ve since replaced it with these two lenses:
- Sony FE 50mm F2.5 G (SEL50F25G): I use this as an everyday carry lens for food, street, etc. It’s smaller, sharper, and the lens barrel is much sexier-looking.
- Sony FE 50mm F1.4 GM (SEL50F14GM): A much more expensive and “bulky” prime for when I want the best possible image quality, or for the bigger f/1.4 aperture.
Although I don’t use it anymore, my Sony FE 50mm F1.8 will remain in my collection as a reminder of where I came from in this hobby, and to use as a tool to introduce other people (or my own kids) to the world of photography. I highly recommend this lens for other newcomers into the hobby, though I wish Sony could release a new version with better autofocus, and to bring in the recent advances in optics to make it a bit sharper and more compact.
Wishlist
Bodies:
- A second Sony full-frame body.
- I want it to serve as a backup.
- I don’t want to be in a situation where I don’t have a working camera. I’m a bit addicted lol
- I want it for when I want to carry two cameras so I don’t have to swap lenses.
- I love shooting wide with my 16-35mm as my walkaround lens.
- But sometimes, I stop for food and I often prefer 50mm for that. A second body in my bag with a compact 50mm lens would do great for this.
- Lots of different ways to do this!
- This setup also helps prevent dust accumulation.
- Having a bit of variety in bodies can also be useful, e.g. maybe I use the a7cii normally, but if I expect good lighting conditions, I use the a7cr for the higher resolution.
- I’d pick the a7cii for restaurants because the natural lighting is usually quite dim.
- I’ll probably wait for new body releases. But if I were to get one right now, it would probably be the a7cr.
- I want it to serve as a backup.
Lenses:
- Sony FE 70-200mm F2.8 GM OSS II (SEL70200GM2)
- I don’t have a need for a telephoto lens yet, so I haven’t bought it. Maybe I’ll get it if I have specific sports photography, wildlife, or portrait photography needs? Or something like that.
Lighting:
- I still don’t know what I want for artificial lighting.
- Portable flash for casual food photos within restaurants? But I’m not sure what’s an appropriate way of approaching this that I can casually carry and also not annoy the other patrons.
- Studio lighting for within my house. But I don’t have enough space right now.
- Portable flash for portraits, events, etc. but I’m not too sure what artistic effect I want with these yet.
- Simple reflectors so I can do a little better for not that much more money.
- But for now, natural lighting works well enough for me.
Aspirational Wishlist
Everything in my wishlist above are items that I see myself ordering right now if I find myself needing to fill in a gap in my collection.
On the other hand, the items below are unlikely to be items I will buy in the near future.
Lenses:
- Sony FE 14mm F1.8 GM (SEL14F18GM)
- Sony FE 24mm F1.4 GM (SEL24F14GM)
- I want one good lens to use with my old Nikon D5200.
- Ideally, I want a 23mm prime (35mm ff equivalent), but I don’t see anything available for this.
- The AF-S DX NIKKOR 35mm f/1.8G is the best first-party option. It’s slightly tighter than 50mm ff equivalent. I’d still much prefer 35mm ff equivalent if I were to get only one lens, but oh well.
- The Sigma Art 30mm F1.4 DC HSM seems like the best APS-C prime. It’s about a 46mm ff equivalent. I’d prefer it over 35mm since I want to shoot a bit wider, it’s a faster aperture, and this Sigma lens is probably sharper (unconfirmed!) than the first-party 35mm.
- The Sigma Art 18-35mm F1.8 DC HSM seems like the best APS-C zoom, covering about 28-54mm ff equivalent. At f/1.8, it’s fast enough for me, but it’s also a physically huge lens.
- The Sigma Art 20mm F1.4 DG HSM seems like the best full-frame prime. At roughly a 31mm ff equivalent, it seems like a great focal length for me, but is it worth the price and the size?
- I’m going to need to think through whether I really want to use my old D5200, otherwise this wouldn’t be worth the money. I’m not sure I want to buy just to collect.